This self-thoght graphic designer and art editor was highly influenced by the British Arts and Crafts Movement. Before becoming a typographic designer with a Chicago printing company, he began as an errand boy for a Michigan newspaper and then an apprentice engraver. Towards the end of the 19th century (1895), he established the Wayside Press in which books, adverts, and his own short-lived literary journal (Bradley: His Book) were produced. His style is considered a branch of Art Nouveau. Bradley's work are often compered to Aubrey Beardsley's works (who was British). Bradley is mostly credited for popularising the two-dimensional poster style in the United States.
Poster of The Chap Book, 1894 |
In this poster, the artist presents two female figures
which are very similar to each other. Both figures resemble each other from all
aspects: from their physique to the clothes they’re wearing. Despite being a
flat design, the artist uses curves throughout the whole design which are
eventually developed into some sort of continuity. Regarding the colours used,
Bradley chose to use only flat colours for both the title and the design. In the blank space, the artist seems to fill it with bold lines, circular
curves and floral forms. It seem that there is no importance given to the facial expressions of these female figures due to its lacking in detail. The artist chose to use Serif
typography which is a rather classical font. In fact, he seems to experiment
more on the rest of the cover rather than the typography.
Reference
Livingston, A. I., 2003. Graphic Design and Designers. London: The Thames & Hudson.
The University of Alabama, 2005. Will H. Bradley: Early Master oF Graphic Design. [online] Available at: <http://bindings.lib.ua.edu/gallery/willbradley.html> [Accessed October 2013].
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